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Soft Cell's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, one half of the groundbreaking 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He later founded the pioneering electronic act The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball appeared in a wheelchair, as he had for the last two years, following a period of health issues.

"I managed to damage myself quite a bit," he stated in 2023. "I fractured lower vertebrae in my spine and cracked about multiple ribs and fractured my arm."

After contracting a lung infection and suffering from blood poisoning, he was put in an induced coma and remained in hospital for half a year.

Nevertheless, he had been in "a great place emotionally" over the summer, as he worked on a new album with Almond, called Danceteria, which is scheduled for publication next year.

"He was concentrated and so happy with the latest project that we actually completed only a few days ago," said the vocalist in a tribute.
"It's so sad as 2026 was all set to be such an positive year for him, and I take some solace from the knowledge that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant part of my existence and for the songs you created with me. I couldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is distinct from joining a band, the connection is very tight," he continued.
"That was the case with us. We experienced so many remarkable, incredible, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a one-parent family in Chester in 1959, Ball was put up for adoption when he was 18 months old.

He grew up in Blackpool with his new family his caregivers, who altered his first name from Paul to his adopted name, alongside his younger sister Susan, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both studying art. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The duo were an unusual combination: Ball was the quiet musician, bent over his synthesizer, while Almond was a flamboyant showman, all sparkle and makeup; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with electronic instruments after watching Kraftwerk appear on a television program Tomorrow's World, and began to combine dark electronica to the catchy tunes Almond was writing.

Tainted Love became the UK's second biggest-selling single of 1981, selling millions of copies worldwide. Alongside successful tracks by other artists, contemporary bands and electronic acts, it contributed to cleared the path for the synth-pop sound of the 80s.

The track was also included on their first album, their initial LP, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The duo were developing fresh songs until just before Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to afford my first home, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago told with a music magazine.

But it also caused challenges. "Newfound wealth meant we could purchase substances to alleviate the boredom" of media interviews and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond went on to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the charting record Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on September 30, that year.

However, they remained active, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's upcoming release as a tribute to the New York club scene they frequented while recording their first two albums.

He noted that his time in hospital had shaped the band's sound.

"I had strange recollections when I was in and out of the hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the experiences me and Marc had in the 80s."

The last versions were finished only days before Ball died. It is due for release in the spring of 2026.

By

Kathy Mullins

A passionate traveler and storyteller who has journeyed through over 50 countries, capturing unique cultural moments and sharing them to inspire others.

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